Which Painter Did The Group Mecano Write A Song About? 2023

Which Painter Did The Group Mecano Write A Song About?

Which Painter Did The Group Mecano Write A Song About
‘Eungenio’ Salvador Dali.

What kind of music did Mecano play?

This article focuses on the popular Spanish music group. Meccano redirects here; for the building toy, see Meccano. Please refer to Mecano (disambiguation) for any other usage of this word.

Mecano

Background information
Origin	Madrid, Spain
Genres	Pop synthpop new wave pop rock
Years active	1981–19921998
Labels	CBS Sony BMG

Past members	Ana Torroja Nacho Cano José María Cano

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We beg you, in all modesty, to refrain from scrolling away from this page. If you are one of our very few donors, please accept our sincere gratitude. Mecano was a band from Spain who played pop music and was active from 1981 to 1992. Mecano is widely regarded as one of the most successful bands to ever play Spanish pop music.

With over 25 million albums sold around the world, the band continues to hold the title of best-selling Spanish band.
Some people at the time thought of them as being ahead of their time and regarded them to be a part of the countercultural movement known as la Movida de Madrid.
In 1998, they staged a brief return performance.

The band’s lineup consisted of singer Ana Torroja, brothers Nacho and José Mara Cano, and session musicians Arturo Terriza, Manolo Aguilar, Nacho Maó, Javier Quilez, Angel Celada, and Oscar Astruga. Ana Torroja was the lead vocalist for the band. Nacho and José Mara Cano were the band’s rhythm section.

The musical career of the group may be broken down into two separate phases.
In the first stage, which lasted until 1985, Mecano was mostly known as a synthpop band.
In the second stage, however, the band took a more acoustic pop rock path, incorporating elements of ballad, dance, flamenco, bossa nova, tango, salsa, rumba flamenca, bolero, pasodoble, and even reggae.

Additionally, Hispanic America was affected by the unparalleled success. In addition, due to the fact that numerous of their songs have been translated into other languages, they have been influential in nations that do not speak Spanish, such as Italy and France, as demonstrated by the song “Une femme avec une femme.” Throughout 2005, the music of Mecano was turned into the hit musical Hoy no me puedo levantar, which launched performances in Spain and Mexico.

Hoy no me puedo levantar was a musical.
After two years, it was revealed that the musical had been seen by more than 1,500,000 spectators in both nations, making it the most successful original production ever to be done in Spanish.
The announcement was made after the musical had been running for two years.

Some of their biggest number one hits are “Me cuesta tanto olvidarte”, “La fuerza del destino”, ” Hijo de la luna “, “Cruz de navajas”, ” Une femme avec une femme ” (“Woman vs mujer”, a worldwide number one smash), and “El 7 de septiembre”,

What happened to the members of Mecano?

History – The brothers Nacho and José Mara Cano, along with singer Ana Torroja, founded the band in 1981 in Madrid as a synthpop ensemble (also known as tecno pop in Spanish). At the time, they were heavily influenced by the English new wave band Spandau Ballet.

Mecano acquired its first fame with its debut single, “Hoy no me puedo levantar” (“I Can’t Get Up Today”), a song about young ennui and hangovers.
This track was released during a moment of cultural experimentation in Spain during the early years of its democratic transition.
Their debut album, which was simply named, went on to become a classics collection that came to epitomize the sound of Spanish pop music in the 1980s.

While this was going on, Nacho Cano began producing music for other bands, and both of the Cano brothers began penning songs for other pop artists who were on the rise. In spite of the fact that those subsidiary acts wouldn’t attain the same degree of popularity as Mecano, they ended up becoming new testing grounds for Mecano.

After achieving yet another massive success in 1986 with “Me cuesta tanto olvidarte” (“It’s So Hard to Forget You”), the band modified their musical style with the album “Entre el cielo y el suelo,” which was released in 1987. ( Between the Sky and the Ground ). Their new sound put more of a focus on pop than techno.

Additionally, it made it easier for them to export their music to Latin American countries. This newfound adaptability was demonstrated through the song “Hijo de la Luna” (“Son of the Moon”). This song was also considered by the band as a prospective entry for Spain in the Eurovision Song Contest in 1986; however, TVE chose to send Cadillac instead.

Their subsequent album, titled Descanso Dominical (Sunday Rest), is responsible for producing two of their most successful singles to date.
One of these was called “La fuerza del destino,” which translates to “The force of fate,” and it was in this film that Penélope Cruz made her first appearance in a music video.

Nacho Cano was her boyfriend for a number of years after that relationship ended. The second track, titled “Mujer contra mujer” (which translates to “Woman against woman”), tells the story of a lesbian relationship from the perspective of a friend who finds out about the connection much later on.

The song was recorded in three languages—French (” Une femme avec une femme “), English, and Italian—and it became Mecano’s first international success.
It was a number one smash when it was released as a single in Latin America in 1989, and it also lasted at the top of the French singles chart for seven weeks in a row, from November 10th to December 22nd, 1990.

The song went on to become one of the biggest songs of all time in that nation. Their next album, Aidalai (a nonsensical word that means “Oh Dalai”), was released in 1991 and was just as popular as their previous two masterpieces. The song “7 September” (also known as “El 7 de Septiembre”) was dedicated to Coloma Fernández Armero, who was Nacho Cano’s lover for a number of years.

The band had one more number one success in Ibero-America with the song “El 7 de septiembre,” which was published in the summer of 1992. The band also produced a music video for the song, which was inspired by the German silent film Metropolis, which was released in 1927. It was the band’s final album to contain any of its own original music.

In 1993, the band made the decision to go on an indefinite break. In 1998, the band published the album Ana, Jose, Nacho, which included both new songs and some of the band’s most successful previous recordings. Later on that year, the band disbanded, and each of the three members went on to have successful solo careers, however Ana was the only one who found success as a vocalist.

In 2005, keyboardist Nacho Cano composed a musical titled 32 Mecano Songs, which was based on the music of the band Mecano and was titled after their debut hit. In 2005, the members of Mecano celebrated the band’s 25th anniversary by releasing a double CD and DVD set that included a documentary on the band’s history.

The new CD and DVD release titled “Mecanografia (Mecano-graphy)” features a compilation of all of their singles, songs that have never been published before, as well as a DVD containing videos and early live appearances by the band. The Cano brothers were pioneering artists in the use of technology, and Nacho was one of the first musicians in Spain to buy a Fairlight piano.

The Cano brothers are known for their contributions to the world of music. (The image of its screen can be seen on the reverse side of the cover of their one and only live CD.) Nacho has stated that in order to compose, he begins with a rhythm machine, then adds the melody, and the words come in last.

José Mara has also mentioned that he frequently locks himself in a room with a dictionary and books in order to write his songs. The band got back together in November 2009 and recorded a new song that was going to be released later that same month. On November 25, 2011, journalist José Antonio Abellán made the announcement on ABC Punto Radio that they will be reuniting for a world tour in the year 2012.

Why is Mecano so popular?

Mecano acquired its first fame with its debut single, “Hoy no me puedo levantar” (“I Can’t Get Up Today”), a song about young ennui and hangovers.
This track was released during a moment of cultural experimentation in Spain during the early years of its democratic transition.
Their debut album, which was simply named, went on to become a classics collection that came to epitomize the sound of Spanish pop music in the 1980s.

After achieving yet another massive success in 1986 with “Me cuesta tanto olvidarte” (“It’s So Hard to Forget You”), the band modified their musical style with the album “Entre el cielo y el suelo,” which was released in 1987.
Between the Sky and the Ground ).
Their new sound put more of a focus on pop than techno.

Their subsequent album, titled Descanso Dominical (Sunday Rest), is responsible for producing two of their most successful singles to date. One of these was called “La fuerza del destino,” which translates to “The force of fate,” and it was in this film that Penélope Cruz made her first appearance in a music video.

The song was recorded in three languages—French (” Une femme avec une femme “), English, and Italian—and it became Mecano’s first international success.
It was a number one smash when it was released as a single in Latin America in 1989, and it also lasted at the top of the French singles chart for seven weeks in a row, from November 10th to December 22nd, 1990.

The band had one more number one success in Ibero-America with the song “El 7 de septiembre,” which was published in the summer of 1992. The band also produced a music video for the song, which was inspired by the German silent film Metropolis, which was released in 1927. It was the band’s final album to contain any of its own original music.

In 2005, keyboardist Nacho Cano composed a musical titled 32 Mecano Songs, which was based on the music of the band Mecano and was titled after their debut hit. In 2005, the members of Mecano celebrated the band’s 25th anniversary by releasing a double CD and DVD set that included a documentary on the band’s history.

The Cano brothers are known for their contributions to the world of music. (The image of its screen can be seen on the reverse side of the cover of their one and only live CD.) Nacho has stated that in order to compose, he begins with a rhythm machine, then adds the melody, and the words come in last.

What is on the new Mecanografia CD/DVD?

Mecano acquired its first fame with its debut single, “Hoy no me puedo levantar” (“I Can’t Get Up Today”), a song about young ennui and hangovers. This track was released during a moment of cultural experimentation in Spain during the early years of its democratic transition. Their debut album, which was simply named, went on to become a classics collection that came to epitomize the sound of Spanish pop music in the 1980s.

After achieving yet another massive success in 1986 with “Me cuesta tanto olvidarte” (“It’s So Hard to Forget You”), the band modified their musical style with the album “Entre el cielo y el suelo,” which was released in 1987.
Between the Sky and the Ground ).
Their new sound put more of a focus on pop than techno.

Their subsequent album, titled Descanso Dominical (Sunday Rest), is responsible for producing two of their most successful singles to date. One of these was called “La fuerza del destino,” which translates to “The force of fate,” and it was in this film that Penélope Cruz made her first appearance in a music video.

The song was recorded in three languages—French (” Une femme avec une femme “), English, and Italian—and it became Mecano’s first international success. It was a number one smash when it was released as a single in Latin America in 1989, and it also lasted at the top of the French singles chart for seven weeks in a row, from November 10th to December 22nd, 1990.

The band had one more number one success in Ibero-America with the song “El 7 de septiembre,” which was published in the summer of 1992.
The band also produced a music video for the song, which was inspired by the German silent film Metropolis, which was released in 1927.
It was the band’s final album to contain any of its own original music.

In 2005, keyboardist Nacho Cano composed a musical titled 32 Mecano Songs, which was based on the music of the band Mecano and was titled after their debut hit.
In 2005, the members of Mecano celebrated the band’s 25th anniversary by releasing a double CD and DVD set that included a documentary on the band’s history.

The Cano brothers are known for their contributions to the world of music.
The image of its screen can be seen on the reverse side of the cover of their one and only live CD.) Nacho has stated that in order to compose, he begins with a rhythm machine, then adds the melody, and the words come in last.