Which Of The Following Best Describes The Tone Of Song To Celia?
Which of the following statements is most accurate regarding the mood of the song “Song: To Celia”? reverential. Which one of the following sentences is an example of an adverbial clause fragment? anywhere there is an opportunity for a delicious meal to be had.
What is the tone of the poem song on Celia?
The emotional disposition of a speaker or writer is referred to as their tone. In the first verse of “Song: On Celia,” the speaker expresses the depth of his longing for Celia, who is the subject of the song. The love that he has for her is profound, although it In the song “Song: To Celia,” what does Celia decide to do with the wreath that the speaker presented to her?
What is the meaning of song to Celia by Ben Jonson?
Page 56 TO CELIA JOHN THOMPSON’S MODERN COURSE FOR THE PIANO THE FIRST GRADE BOOK
Lines 13–16 state that “but thou thereon didst only breathe, and sent’st it back to me,” and that “because when it grows, and smells, I swear, Not of itself, but of thee,” respectively. Line 13 states that “but thou thereon didst only breathe.” The speaker’s lover did not react to the wreathe in the way that the speaker had anticipated she would.
After she breathed on the paper, she decided against keeping it as a memento of their love and instead elected to send it back to him instead. She did this on purpose, fully aware of the consequences that it would have on him. When the wreath was brought back to him, he sniffed it and said that it did not smell the same as it had in the past.
It reeked of “thee,” his girlfriend, at this point. The speaker intends for these descriptions of their love to do two things: he wants to impress his beloved, and he wants to take their relationship to the next level. The poem “Song: to Celia” is an example of a real love poetry, as it is solely devoted to the development and maintenance of a romantic partnership.
How does the speaker express his love for Celia in song?
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The emotional disposition of a speaker or writer is referred to as their tone. The speaker of “Song: On Celia” reveals the depth of his love-sickness for Celia in the first verse of the poem. His love for her is profound, yet it can only survive on a little portion of what she gives him. The speaker reveals that his feelings for Celia are not returned in the second verse of the poem.
She sends the wreath back to him as a way of rejecting his overture when he sends it to her. In spite of this, he remains unfazed, which may be an indication that he takes pleasure in the fact that the rejected wreath smells of her aroma. Despite the fact that the poem’s theme is a profound love that isn’t returned, the tone of the poem is reflective.
- The speaker does not engage in any too dramatic or theatrical devices, such as using exclamation marks or making overly dramatic claims.
- Instead, he communicates using straightforward language and derives great pleasure from straightforward, imagined exchanges.
- As an illustration, one of the things that he writes is, “Or leave a kiss but in the cup, and I won’t seek for wine.” This tenor of unassuming simplicity catches the strength and depth of his love in a way that is both compelling and effective.
We may get a sense of this in lines like the one below, in which he says that even if he could drink from Jove’s nectar, he would not alter it for Celia’s sweetness: But even if I could drink from Jove’s nectar, I would not change it for yours. The eNotes editorial staff has determined that Ben Jonson’s “Song: To Celia” is about a speaker who is in the early stage of love, namely the infatuation stage.
- It is funny and epigrammatic, and it is full of phrases that have become famous due to their frequent repetition: Drink to me simply with thine eyes,.
- And.leave a kiss but in the cup, And I will not search for wine.
- At the end of the poem, there is a switch in roles.
- The speaker expresses his interest in pursuing a romantic relationship with the person to whom he gives flowers, but she responds by sending him flowers in return.
He takes great pleasure in smelling the flowers, but he notices that the “rosy wreath” contains her scent more than the actual flowers. The poem, however, is neither satirical nor written in the carpe diem style. The speaker does not appear to be joking.
How many quatrains are in the poem song to Celia?
ENotes’ editorial staff performed the most recent update on this page on October 26, 2018. Number of words: 477 The iambic poem “Song: To Celia” has a total of sixteen lines and is broken up into four quatrains. The remainder of the poem is broken up into two unique octaves following the second quatrain, each of which depicts a different setting.