Which Lines From The Love Song Of J. Alfred Prufrock Most Likely Influenced Sandburg’S Poem?
- Philip Martin
The following lines from “The Love Song of J. Alfred Prufrock” are the ones that most likely served as an inspiration for Sandburg’s poem: “The golden smoke that rubs its snout on the window-panes, ” It sank its tongue into the nooks and crannies of the dusk, and it lingered upon the puddles that stand in drains. Fresh inquiries in the English language
Which lines from The Love Song of J. Alfred Prufrock provide an example of stream of consciousness I have seen?
I have witnessed the fleeting moment of my glory, and I have witnessed the timeless Footman hold my coat while laughing at me. In a nutshell, I was filled with dread.
What type of poetry does The Love Song of J. Alfred Prufrock use?
Form: “Prufrock” is a variant on the dramatic monologue, which was a style of poem that many of Eliot’s predecessors were fond of writing. Soliloquies are a type of dramatic monologue that are analogous to those seen in plays. According to M.H. Abrams, the dramatic monologue is defined by three distinct characteristics.
To begin, they are the words said by a particular person (someone other than the poet) at a particular instant in time. Second, the monologue is addressed to a particular listener or listeners, the existence of whom is not expressly mentioned but is only inferred from the speaker’s remarks. Third, the most important thing is how the character of the speaker evolves and is shown to the audience.
Eliot gives the form a more contemporary feel by doing away with the supposed listeners and putting the emphasis on Prufrock’s interiority and loneliness. The epigraph of this poem, which is taken from Dante’s Inferno, provides a description of Prufrock’s ideal listener.
- This listener is someone who is just as lost as the speaker, and who will never reveal to the rest of the world the substance of Prufrock’s current confessions.
- However, in the society that Prufrock paints, such a sympathetic character does not exist, and as a result, he is forced to make do with nothing more than silent meditation.
“Prufrock” is a precursor to some of Eliot’s later, more dramatic works because of its emphasis on character and its theatrical sensibility. This poem has an inconsistent rhyme system, yet it is not completely random. Even while there are parts of the poem that seem to be written in free verse, “Prufrock” is actually a meticulously planned combination of many types of poetic forms.
- When the poem is read out loud, the rhyming couplets and phrases become much more obvious.
- The use of refrains is one of the most noticeable and significant formal aspects of this piece.
- Both Prufrock’s repeated questionings (“how should I presume?”) and pessimistic appraisals (“That is not it, at all.”) both reference an earlier poetic tradition and help Eliot describe the consciousness of a modern, neurotic individual.
Prufrock’s constant return to the line “women come and go / Talking of Michelangelo” is also a reference to an earlier poetic tradition. The fixation that Prufrock has on his work is beautiful, but it also indicates that he is a compulsive and an introvert.
What does Prufrock mean in the last line I do not?
What does it mean when Prufrock says, “I do not imagine they will sing to me” as the final line of the poem? He is under the impression that ladies do not find him appealing.
Which best describes the meaning of these lines from The Love Song of J. Alfred Prufrock?
Which of the following statements best explains what these lines mean? The speaker is pleased with both his previous achievements and his current standing in the world. The speaker is concerned that if he vanishes, no one around him would even notice his absence. The person who is speaking has faith that he can bring about favorable changes in the surrounding environment.
What is the main theme of The Love Song of J. Alfred Prufrock?
The overpowering question, the condition of modernity, and the crisis of death are three of the most important issues that are discussed in “The Love Song of J. Alfred Prufrock.” The enormous question: Although Prufrock alludes to a “overwhelming question” that preoccupies his mind, he never specifically identifies what the inquiry is.
- The state of things in the contemporary era: In this passage, T.S.
- Eliot explores the distinctions between early modernity, shown by Shakespeare’s figure Hamlet, and late modernity, exemplified by Prufrock.
- The presence of Prufrock is seen to be somewhat unremarkable in contrast.
- The predicament of mortality: Prufrock is acutely aware of the threat posed by his own impending death.
He wishes he had more time, but he is unable to articulate exactly why. The editorial staff of eNotes last modified this page on February 25th, 2021. Number of words: 377 Although T.S. Eliot was one of the most prominent English-language poets of the 20th century, his work has always had a reputation for being obscure, fussily scholarly, and even just plain odd.
- This is despite the fact that he was one of the most influential poets of the 20th century.T.S.
- Eliot’s poetry always investigates profound subject matter because it possesses all of these attributes.
- The reader will have a better understanding of “The Love Song of J.
- Alfred Prufrock” if they examine the issues that are discussed throughout the poem.
These themes include the condition of modernity, the conflict between meaninglessness and significance, and the crisis of mortality.
What is the tone of the poem The Love Song of J. Alfred Prufrock?
The tone of ‘The Love Song of J. Alfred Prufrock’ is caustic and sardonic, and it captures well the vacillation, frailty, sordidness, and despair that are prevalent in much of modern civilization.
How does Prufrock feel about himself?
Because he is terrified of being evaluated, Prufrock has a tendency to dwell excessively on his own qualities. Throughout the entirety of the poem, it is made clear that Prufrock is under the impression that other people are examining him and passing judgment on him.
Who are you and I in the first line of Prufrock?
T.S. Eliot (1888–1965) The Love Song of J. Alfred Prufrock, which is found in Bartleby the Scrivener J. Alfred Prufrock creates the impression of an improbable romantic hero, one who is capable of singing a love song, by identifying himself in a fairly pretentious manner by his first initial and middle name.
- Introduction: This aphorism may be found in Dante’s “Inferno.” The one who is speaking is Guido da Montafeltro, who is currently suffering the consequences of his actions on Earth.
- Dante inquires about the atrocities committed.
- The response given by Guido is the epigram, which can be translated as “This flame would remain in place without any further movement if I believed that my response would be received by someone who would one day return to the globe.
If what you say is correct, then I will react to you without worrying about gaining a bad reputation even if no one has ever survived a trip to this depth.” The speaker(s) of “you and I” in line 1 changes throughout the rest of the poem. It appears that Prufrock is by himself and having a conversation with himself at this point.
- In later chapters, “you” refers to the lady he hopes to woo and eventually propose to.
- The famous Italian sculptor and painter is mentioned in line 14.
- 1475 – 1564).
- Prufrock’s already shaky sense of confidence is further shaken by the fact that the women are interested in him and his accomplishments.
Although the fog in line 22 may lead one to believe that London is the scene of the poem, Eliot actually composed the poem a few years before he went to London. St. Louis, where Eliot was born and raised, or Boston, Massachusetts, near Harvard University, where he was a student when he composed the poem, is most likely the location of the poem’s setting.
The Prufrock-Litton Company was located in St. Louis. In line 29 of his poem “Works and Days,” the Greek poet Hesiod, who lived in the seventh century B.C.E., discusses the joys and successes that come from working on a farm. Eliot, however, relates it to the strain of social interaction, which is somewhat humorous.
This statement replicates a passage from Shakespeare’s play Twelfth Night, when Duke Orsino orders his musicians to repeat a strain of music because “it had a dying fall.” The line may be found in the middle of line 52. (1.1.4). It is far simpler for a crab to live at the bottom of the ocean than it is for a man to go through a midlife crisis, as stated in line 74 of the poem.
- The allusion to John the Baptist may be seen in line 83.
- Mark’s Gospel describes how John performed Jesus’ baptism in the Jordan River.
- The text states that Jesus was baptized by John.
- In later years, John the Baptist voiced his disapproval of King Herod of Galilee’s incestuous marriage to Herodias, which was forbidden by the Old Testament.
John was sent into jail by Herod. A few days later, Herodias’s daughter Salome performs a dance for Herod. Salome is the product of Herodias’s first marriage, which was to Herod’s brother. Because he is having such a good time watching the play, he promises Salome that he would fulfill her one of her wishes.
Salome receives John the Baptist’s severed head on a plate after Herodias commands her to bring it to her. Herodias was the one who had John the Baptist executed in the first place. This statement is an allusion to a passage from Andrew Marvell’s poem “To His Coy Mistress,” which was written in the 1650s.
In that poem, the narrator begs his love interest to indulge in the pleasures of the body with him. In an ironic contrast to Prufrock’s tentative uneasiness, Marvell’s narrator asks “the overwhelming question” in a straightforward and self-assured manner in “The Love Song of J.
- Alfred Prufrock.” The Marvell poem is also alluded to in line 23.
- In line 94, it says who Jesus brought back to life, according to the account in John’s gospel.
- Prince of Denmark, the tragic hero of Shakespeare’s play, is mentioned in line 111.
- Line 113: A royal excursion.
- It is suggested in line 117 that Prufrock aligns more closely with Polonius, who is an advisor to Claudius, the King of Denmark and Hamlet’s uncle.
Polonius is known for being often foolish. Prufrock, however, lacks Hamlet’s capacity for decisive action. The expression “full of high sentence” refers to someone who is opinionated or sententious. Line 122: Presumably because it may make him fart embarrassingly and give him discomfort.
Which best describes the meaning of these lines the speaker is content?
Which of the following statements best explains what these lines mean? The speaker is pleased with both his previous achievements and his current standing in the world. The speaker is concerned that if he vanishes, no one around him would even notice his absence. The person who is speaking has faith that he can bring about favorable changes in the surrounding environment.
Who does Prufrock not think will sing to him towards the end of The Love Song of J. Alfred Prufrock?
The poem “The Love Song of J. Alfred Prufrock” by T.S. Eliot portrays the narrative of a man who is in love but is unable to admit it to himself or anyone else. Prufrock has given careful consideration to all of the aspects that have impacted and will continue to influence his choice regarding the confession of his love; nonetheless, he is at a loss regarding how to proceed.
To assist him in elucidating his ideas, he frequently refers to the Bible, the writings of other renowned poets, as well as other books and works of literature. This demonstrates that he has an extensive education. This poem reveals his thoughts and feelings, which run the gamut from annoyance to regret to yearning, demonstrating that he is a typical human being who grapples with everyday challenges, in this instance relating to love.
The predicament that he finds himself in is a result of both his knowledge of the world around him and his own sentiments. Women enter and exit the room at regular intervals. Regarding the works of Michelangelo (13-14, 35-36) This verse appears twice more throughout the poem in total.
- The fact that it is repeated demonstrates that discussion of Michelangelo is the only issue that ever came up in the parties that the women attended.
- Their knowledge of the arts is restricted to only one particular artist, and it has become common practice for the women to discuss this subject.
- Prufrock becomes increasingly worried that the women will direct their conversation toward him if he were to speak, so he mulls over whether or not he should “Disturb the world” (46), which is a phrase that is used twice in this section.
Could you please explain the meaning of the three dots? What kind of changes does this make to the general atmosphere of the poem? Who or what are the mermaids supposed to symbolize in the poem’s final four stanzas? Do you believe that Prufrock will ever get up the nerve to tell Puddleglum that he loves her? Prufrock, the speaker in T.S.
Eliot’s poetry “The Love Song of J. Alfred Prufrock,” is very self-conscious and emotionally aloof from individuals who are in his immediate environment. It is clear from reading the poem that J. Alfred Prufrock’s outward appearance was subject to close scrutiny. He describes his limbs and legs as being short and slender, as well as the bald area that he has on the top of his head.
My theory is that the intense attention he faces as a result of the way he looks is what led to him feeling the compelling want to cut himself off from the rest of humanity. Throughout the poem, he has the impression that he is separate from other people, and by the time it is through, he even has the impression that mermaids are more his people.
- When he discusses the mermaids, he makes this assumption by referring to them with the first-person plural pronoun “We.” What caused me to assume that Prufrock is self-conscious and emotionally aloof from other humans is his sensitivity as well as his yearning for detachment from other people.
- Because I have already known them all, known them all—the eyes that fix you in a predetermined word, the mouths that say nothing but empty platitudes.
And when I am formed, sprawled on a pin, When I am pinned and squirming on the wall, And when I am formulated, Then how do I go about starting to spit out all of the turds that are my days and my ways? And on what basis should I suppose? (Lines 55-61) When I initially read this remark, I found that it was difficult for me to understand what was being said.
- On the other hand, when I considered the central theme of the poem as well as the persona of Prufrock, I was able to comprehend what he was referring to, and the quotation was simple to grasp.
- In this passage, Prufrock is speaking about the attention that is directed upon him because of his outward looks.
Throughout the course of the narrative, the disillusionment he feels as a result of his looks makes it challenging for him to maintain connections with other people, particularly with women. The eyes he is alluding to when he says, “The eyes that fix you in a formed sentence,” are the eyes of the ladies or people that watch him.
When he says, “He feels as though they are dissecting him and assessing all of the minutiae of him,” he is giving the impression that they are doing just that. In addition to this, when he says, “And when I am formulated, sprawling on a pin, When I am pinned and wriggling on the wall, Then how should I begin to spit out all of the buttends of my days and ways?,” he is referring to the time when he will have been formulated and will have been sprawling on a pin.
Because he is exposed and unable to take any action to change the situation, he has the impression that he is being forced to tell the truth about himself. In what ways does J. Alfred Prufrock conform to or disprove the notion of the contemporary intellectual? How does Eliot make a remark on society and culture by making use of the interactions that exist between men and women? – Determine the language methods that Eliot used in his poems, and then provide evidence that demonstrates how he employed those devices.1.T.S.
Eliot is successful in “The Love Song of J. Alfred Prufrock” in expressing the traits of a man who allows his hesitation and doubtfulness to dictate his own future.2. He is quite concerned with how the “world” views him, which is indicative of his lack of self-confidence over his physical appearance — “(They will say: “How his hair is becoming thin!”); “(They will say: But how his limbs and legs are skinny!)” As the poem continues, he not only attacks his appearance, but also his knowledge and aptitude, telling himself things like “I’m no prophet” and “I am not Prince Hamlet.” In addition, he feels insecure about his appearance.
At this point, the man gives off the impression of being a pessimist who is unwilling to risk his life by going out into the battlefield in search of the love of his life.2. “No! I am not Prince Hamlet, nor was it ever intended for me to be; I am an attendant lord, one who will do.” Begin one or two scenes to speed up the progression of the story.
Advise the prince, unquestionably, a straightforward instrument; be deferential; be delighted to be of service; be politically careful and meticulous; and: Full of high speech, but a little obtuse; At times, indeed, nearly ridiculous- Almost, at times, the Fool.” Full of high sentence, but a bit obtuse The preceding verse illustrates the difficulty that the main character, who is an individual, has in determining his place in the social hierarchy of the society.
The guy rejects the notion that he is “Prince Hamlet,” but agrees to take the title of “attendant lord.” The man’s willingness to accept his destined path is illustrated by the conflict that exists between the two characters in this example. Evidently, he asserts that the prince uses him only as “an easy instrument”; there is “no doubt” about that.
- Because of this robust yet pessimistic notion, he is absurdly transformed into a coward.
- The absurdity of the situation escalates when the reader gets closer to the end of the stanza and realizes that he is completely conscious of his timidity.
- In point of fact, he acknowledges being “the Fool.” T.S.
- Eliot reveals a mental and ongoing struggle that the protagonist is going through by juxtaposing words with contrasting meanings such as “at times” and “almost.” This is the struggle between the protagonist seizing control of his life and becoming the victim of his own pessimism.T.S.
Eliot places these words adjacent to one another.3. The three inquiries are as follows: – Could you please explain why he brings up the character “Lazarus” that is referenced on line 94? Who does he have in mind when he refers to “you” and “me,” and what is the nature of their relationship? Who is the “we” that is referred to in the final stanza? 1.The main character in the poem “The Love Song of J.
- Alfred Prufrock” by T.S.
- Elliot is a guy who, in general, feels confused about his life and society as a whole.2.The title of the poem is “The Love Song of J.
- Alfred Prufrock.” It would appear that this man is struggling with significant confidence difficulties due to the fact that he is getting older.
I get old As I become older, I plan to roll the bottoms of my pants down to the appropriate length. Should I make a part in the back of my hair? Should I take the risk and eat a peach? I plan to go for a stroll around the beach while wearing white flannel trousers.
I’ve overheard the mermaids singing to one another in unison. They probably won’t sing to me if I have any say in the matter. We observe an elderly guy who, as he gets older, is having a hard time deciding what he wants to accomplish with the rest of his life. The reader gets the impression that he is at ease because of his assurance that he will go on the beach while wearing flannel pants; nevertheless, not long after that, we witness how his lack of self-confidence and awareness of his own self-consciousness affects him.
This is obviously a fabrication of his mind that connects to how he feels in real life circumstances and the challenges that he experiences on the inside. He talks about “mermaids singing” and how they won’t sing to him. Is that a scent coming from a dress? That causes me to stray so far off topic? Arms that are draped across a table or that are wrapped around a shawl.
Should I then make an assumption? And where exactly should I start? Shall I add that I have walked through crowded alleys at twilight and seen the smoke rise from the pipes of solitary guys in shirt sleeves who were leaning out of windows? I ought to have been a pair of ragged claws scuttling across the floors of the still oceans.
I think the man is talking about his troubles with women and how the scent of perfume on a dress affects him in this verse. This is what I take away from it. His lack of self-belief is exacerbated by the fact that he is unable to formulate an appropriate opening line when he approaches a lady.
- The final line of this stanza is, “I should have become a pair of ragged claws scuttling across the floors of quiet waters,” which he uses to close the poem.
- This quip is supposed to be telling us that he ought to have been a crab, which makes perfect sense given that a crab is often considered to be a solitary creature.A.
What makes “Prufrock” a love song in the first place? A. According to Elliot, what does he mean when he says, “I should have been a pair of ragged claws scrawling over the floors of quiet seas”? b. In what types of actual locations does Eliot place his stories? The speaker, J.
Alfred Prufrock, in T.S. Eliot’s poetry The Love Song of J. Alfred Prufrock is highly gloomy and lacks confidence. This interpretation is derived from the poem’s beginning and its conclusion. When he talks about the weather, you can tell that he has a pessimistic outlook because he uses phrases like “when the evening is laid out against the sky like a patient etherized upon a table” (2-3).
Because most people have a tendency to be more romantic when they describe the weather, this statement was highly surprising and disturbing because Prufrock equates the weather to someone or anything being injected with anesthetic. Prufrock’s lack of self-assurance becomes more apparent towards the end of the poem when he says, “I am no prophet—and here’s no great matter; I have seen the moment of my greatness flicker” (83-84), and “No! I am no Prince Hamlet, nor was meant to be; Am an attendant lord, one that will to swell a progress, start a scene or two.” Both of these lines are taken from the sonnet “The Love Song of J (111-112).
Both of these remarks suggest that he considers that he is not good enough to be compared to Hamlet, and that he is pleased with the role that he plays in the play, which is that of an attendant. Having a patch of baldness in the centre of my head—(They will say: ‘How his hair is thinning!’) My morning coat, with the collar fastened all the way up to the chin.
My necktie is beautiful and understated, but it is brought to attention by a straightforward pin—(They will say: ‘But how his arms and legs are slender!’) In these words, Prufrock discusses his looks and expresses concern over how other people may evaluate him based on it.
His clothing is “expensive and modest,” despite the fact that he has a bald area and slender arms and legs. On the other hand, despite his expensive taste in clothing, he does not experience an increase in his sense of self-assurance. Questions: Why did he bring up the phrase “In the room the women enter and depart talking of Michelangelo” two times in the same conversation? What does this have to do with anything? What gives the fog its golden color? What does the sound of the mermaids singing signify? 1) The speaker of the poem, Alfred Prufrock, is a middle-aged guy who is balding, thin-armed, and insecure in T.S.
Eliot’s poetry The Love Song of J. Alfred Prufrock.2) Prufrock feels worried about his love life. As the poem continues, the audience nearly has the impression that J. Alfred Prufrock is a coward. He enumerates some of the topics that he is knowledgeable in, such as getting through the mornings with the help of coffee and ladies.
- However, throughout his life, his low self-esteem and lack of confidence prevent him from approaching ladies and other members of society.
- This is something that he has struggled with.
- As a consequence of this, Prufrock is cut off from the rest of society since he has spent his whole life remaining inside the confines of his comfort zone and has never attempted to venture beyond it.2) “I’ve overheard the mermaids singing to one another in unison.
It is hardly likely that they will sing to me, in my opinion ” (line 124-125). A significant portion of this poem deals with a lack of self-esteem and confidence, and I feel that this quote here demonstrates well how Prufrock is disheartened with his own views.
[Citation needed] Mermaids are fantastical creatures who are said to have the ability to captivate males with their alluring vocals and alluring features. This phrase illustrates mermaids. But in Prufrock’s head, he believes that even the mermaids would not be interested in seducing him since he is not attractive enough and will even be turned down by the mermaids.
He believes this because he is certain that he is not good enough. As readers, we can get a peek of how Prufrock’s lack of self-confidence plays a role in this situation. If mermaids, mythological creatures who are notorious for seducing men, are not even interested in him, then why would people ever consider him? Three questions: Two questions: 1) Why does T.S.
Eliot remark that life is measured in teaspoons? and 2) Where is Prufrock? 3) What does it imply when Prufrock states that there will be time “to prepare a face meet the faces that you encounter” in lines 26-27 of the poem? “There will be time to murder and create, and there will also be time for all the labor and days of hands,” “Do I have the courage to agitate the cosmos? One minute is enough time to make judgments and make changes, both of which may be undone in one minute.” — The main character, Prufrock, is a member of a generation of young people that is highly prevalent in today’s culture (at that time).
They are sensitive; they have their own values and aspirations; they are disgruntled with the more apathetic industrial metropolis; but, they do not have the capacity to change those cities. As a result, he lives in both rage and anguish at the same time; hence, the only option he has is to suffer through the fact that he is a coward.
It is said that “there will be time to murder and create,” as well as “time for all the tasks and days of hands” (lines 28-29). According to my understanding, these lines mean: The poet purposefully placed the words “Murder” and “Create” next to one another so that the readers would have a powerful effect.
The poet intends to make advantage of such a striking contrast in order to demonstrate that the capitalist society of the early twentieth century is fraught with ambiguity and inconsistency. The human race is responsible for the development of contemporary industrial civilization, but at the same time, it is responsible for stifling the rich legacy of value.
- The reader will be able to get a good sense of the predicament that capitalism society was in during that period just from these two words.
- The first half of the poem seems to have no relevance to the remainder of the poem; could you perhaps explain this? Question 2: Why did the poet choose to produce this poetry in the first place? 3.
What is the significance of the women’s discussion on Michelangelo? The language that is used in “The Love Song of J. Alfred Prufrock” has a serious tone. The negative tone of the poem is highlighted by the fact that Prufrock discusses topics such as the night sky, abandoned streets, fog, and smoke.
The study shows that Prufrock, as a character, is powerless in the face of the environment that surrounds him. The poem is written in the form of a monologue, taking place possibly within Prufrock’s head as he expresses his inner difficulties and brings the reader along for the ride. In the opening of the piece, he used the analogy of a “patient etherized upon a table” to describe the evening sky.
My interpretation of Prufrock is that he is completely unmotivated and unable to make progress. As a result, he requires something to dull his mind so that he may continue leading his humdrum existence. He hangs around in the red light district, visits budget motels, navigates creepy neighborhoods that are only half empty, consumes alcoholic beverages and eats oyster shells, both of which are said to have aphrodisiac properties.
Prufrock is influenced to act in a manner that is socially acceptable by the extravagant behavior of the ladies he encounters, who, according to my interpretation, discourse about Michelangelo. No matter how hard he tries to win people over by dressing in costly gear, the opinions of other people are always critical of him (or so he believes).
In a way, Prufrock is the same as other people who are materialistic and shallow (he cares a lot for his clothing and how others view him). His flaws cause him to feel lonely, dissatisfied, and vulnerable, and his high expectations prevent him from being physically pleased in relationships.
- His flaws also cause him to be vulnerable.
- Even in today’s contemporary, complicated society, when there is an unending supply of entertainment options, the human mind may still be a source of pent-up dissatisfaction, as exemplified by Prufrock.
- Prufrock is a character who may be identified with, but who is also extremely unlikeable due to the fact that he resists change despite the fact that he detests his present self.
“There will be time, there will be time To prepare a face to meet the faces that you meet; There will be time to murder and create, And time for all the works and days of hands That lift and drop a question on your plate; Time for you and time for me, And time yet for a hundred indecisions, And for a hundred visions and revisions, Before the taking of a toast and tea; Time for all the works and days of hands That lift and drop a question on your plate (lines 26-34) My reading of this passage is that Prufrock is trying to hide his genuine personality and is putting on an act for social occasions in order to appear more confident.
- He tells himself over and over, “there will be time,” as a way to avoid acting on the things that he really wants to accomplish.
- He is adamant that he can go back and change the things that he hasn’t completed yet because there is plenty of time for him to do so in the future.
- As a consequence of this, his existence is devoid of significance.
A footnote that refers to the work of the Greek poet Hesiod and indicates that this is a contrast to the constructive activity that is stressed in Works and Days lends credence to the pointlessness of what is being discussed here. In contrast, Prufrock is completely still throughout the whole play.
I think that Prufrock is open to the idea of change, but he is hesitant to take the necessary precautions. The lines “you and I” and “you and me” appear quite a few times throughout the poem in different iterations. To whom does Prufrock direct his address when he says “you”? In the final lines of the poem, Prufrock alludes to mermaids singing to one another.
The sentence “I do not think that they will sing to me” is one of the ones he uses (line 125). Why? What exactly does this entail? Why is this thing called a “Love Song” when it’s obvious that Prufrock doesn’t even have a basic understanding of what love is? The main character in “The Love Song of J.
Alfred Prufrock,” which is a poem written by T.S. Elliot, is a guy who seems perplexed and disheartened not just with his relationships with women, but also with society as a whole. The poem is named “The Love Song of J. Alfred Prufrock.” This man appears resigned to his fate of living a life of solitude owing to his inability to interact with other people in the surrounding environment because of his lack of self-confidence or poor self-esteem.
It is unclear where this man’s lack of self-confidence or low self-esteem originated from. The fact that he mentions how other people have a poor opinion of his physical appearance, particularly his short arms and his baldness, is evidence that this is the case.
- Further evidence of his own fears is displayed when he makes the comment that there are times when he gets the impression that other people perceive him as stupid or silly, and he also says that, “I’ve overheard the mermaids singing to one another in unison.
- There is a good chance that they will not sing to me (544).” This person’s lack of self-confidence is highlighted by the assumption that people would evaluate him based on his outer looks and that even the mermaids will not give him the time of day.
This lack of self-confidence has led to ongoing difficulties with women and society as a whole. The lines of the poem that I comprehended and believed were crucial to the ideas of Elliot’s composition demonstrate his evident lack of self-confidence in a way that I found particularly striking.
- As Elliot expressed it, “No! I am not Prince Hamlet, nor was it ever intended for me to be; rather, I am an attendant lord, which is plenty.
- To inflate a progress, make a scene or two, and advise the prince; without a doubt, an easy tool; deferential, delighted to be of assistance, politic, careful, and precise; full of lofty language, but a touch stupid; at times, indeed, nearly silly – almost, at times, the Fool.” (Lines 111-119) These statements are important, in my opinion, because they show how little he values his place in society and how they show how little he thinks about it.
He does not consider himself to be a person of significance or importance; rather, he has the impression that he belongs in the background as someone who is unable to make a significant impact on the world around him. Taking this a step further, there are instances when he is not just considered strange or obtuse, but also as the most naive person in the room.
This is because of the way he communicates. It should come as no surprise that this guy has a difficult time overcoming the obstacles in his path and maturing into a contributing member of society given that he has these types of notions about himself. (The Answers Are Below) A) What do you believe to be the most significant flaw in this character’s personality that prevents them from achieving success and finding happiness in life? b) Do you place more of the blame on the man for developing these feelings, or do you believe that the onus should be placed on society for how it has treated him throughout his troubled life? c) Does the figure still have a chance to make a change for the better in his life? Or has the suffering that he has endured throughout his whole life reached a point where it is too late to make any significant changes? 1- T.S.
Eliot’s “The Love Song of J. Alfred Prufrock” is a poem that tells the story of a guy named J. Alfred Prufrock who is a very insecure and unsure person about himself. It appears that he suffers from a condition known as “the complex of inferiority,” which renders him incapable of having connections with women.
- Because of this complex, he is wary of and anxious around women, but he is also unsociable and disconnected from society in general.
- Because of this, he chooses to spend his life in seclusion and pessimism.
- Because he has such a low opinion of himself, it is clear throughout the poem that he has a distancing experience from the culture around him.
“I ought to have been a pair of tattered claws scrambling across the floors of quiet waters,” says the poet (73-74). He is aware that others may view him as foolish and silly, but he stubbornly refuses to accept this about himself. “Full of high speech, but a bit obtuse; At times, indeed, nearly absurd – Almost, at times, the Fool.” — Samuel Johnson “Full of high sentence, but a bit obtuse” (117-119) 2- When the poem comes to a close, it seems as though Prufrock connects himself more with mermaids than with human people.
This is a really interesting interpretation of the poem. This is clear from the fact that the mermaids are referred to with the collective pronoun “we.” “We have stayed in the crypts of the ocean for some time.” By sea girls adorned with seaweed in various shades of red and brown” (129-130). When we read these lines, we get the impression that Prufrock yearns to flee mankind and the loneliness of modern existence in order to enjoy a life that is surrounded by the fantastic or the supernatural.
As the poem draws to a close, his fantastical universe is brought crashing down by the intrusion of mankind, as expressed in the final line of the poem: “Till human voices rouse us, and we sink” (line 131). His hunger for ladies who turn him down is impossible and frustrates him to no end.
Like Dante, he is trapped in his own little “inferno,” and he is unable to have any of those females since any hint of the social world or “human voices” drowns him out.3- Poetry may be read and interpreted in a variety of ways by each individual reader. The thoughts and interpretations of other individuals are beneficial to our ability to comprehend the poem on a deeper level.
As a consequence of this, I will be incorporating the following questions: a: What causes Prufrock to struggle so much with settling on a course of action? b: The thoughts that go through the mind of the narrator: “It is hard to convey precisely what I mean!” c: Do you have any reason to believe that Mr.
How does the narrator feel about the evening fog?
How does the narrator feel about the nighttime fog? (This question is based on the passage.) He is under the impression that it is sneaky and comprehensive.
What is the most likely reason for Prufrock’s emphasis on the afternoon and evening hours?
Which of the following is the most plausible explanation for Prufrock’s focus on the afternoon and evening hours? He is making an analogy between the passing of time and his maturing years.