Which Artist Recorded The Soundtrack For Sweet Sweetback’S Baadassss Song?
Related artists include Kool & the Gang, Commodores, Chicago, and Santana. Carlos Santana The Affective States Wilson, Charlie
Which musician is heard performing in this song thank you?
| “Thank You (Falettinme Be Mice Elf Agin)” | |
|---|---|
| Single by Sly and the Family Stone | |
| A-side | ” Everybody Is a Star “ |
| Released | December 1969 |
| Recorded | 1969 |
| Genre | Funk |
| Length | 4 : 50 |
| Label | Epic |
| Songwriter(s) | Sly Stone |
| Producer(s) | Sly Stone |
| Sly and the Family Stone singles chronology | |
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- Please, we beg you, do not scroll away from this page. Hi.
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To ensure our continued existence, all we ask for is $2, or anything else you can provide. We beg you, in all modesty, to refrain from scrolling away from this page. If you are one of our very few donors, please accept our sincere gratitude. The song “Thank You (Falettinme Be Mice Elf Agin)” was originally performed by Sly and the Family Stone in 1969 and recorded that same year.
After being released as a double A-side single with the song “Everybody Is a Star,” the song topped the soul single charts for five consecutive weeks and topped the Billboard Hot 100 list in February 1970. The record was selected as the nineteenth best song of 1970 by Billboard. The title is a sensationalized version of the phrase “thank you for letting me be myself again,” which was done on purpose as a mondegreen.
There are direct allusions made to the band’s earlier chart-topping singles, such as “Dance to the Music,” “Everyday People,” “Sing a Simple Song,” and “You Can Make It If You Try,” in the third stanza of the song. Co-lead vocals for the song were provided by Sly Stone, Rose Stone, Freddie Stone, Cynthia Robinson, Jerry Martini, Greg Errico, and Larry Graham.
The song was written by Sly Stone. On this tune, Graham is largely regarded for pioneering the use of the slap technique on the electric bass, which can be heard in a prominent capacity throughout the entirety of the piece. It was planned that “Thank You” would be featured on an album that was in the process of being recorded together with “Star” and “Hot Fun in the Summertime.” However, the LP was never finished, and the three songs ended up being included on the band’s 1970 Greatest Hits album instead.
The Family Stone’s final recordings to be issued in the 1960s, “Thank You” and “Star,” marked the beginning of a 20-month gap between releases from the band, which would finally come to an end with the release of “Family Affair” in 1971. “Thank You” and “Star” were the band’s final recordings issued in the 1960s.
The song clocks in at 4 minutes and 48 seconds on both the original smash single and the Greatest Hits LP. However, the popular Greatest Hits LP features a re-channeled version that simulates stereo. The previously unpublished full-length version clocks in at 6 minutes and 18 seconds, and was only made available on a promotional CD issued by Columbia in 1990 called Legacy: Music for the Next Generation.
Bob Irwin was in charge of the mixing for this version. On the later two-CD compilation titled “The Essential Sly & The Family Stone,” which was released in 2015 and contains the song in its normal 4:48-long hit form, the music is presented in stereo.
Who did the song Baadasssss Song?
| Sweet Sweetback’s Baadasssss Song | |
|---|---|
| Soundtrack album by Earth, Wind & Fire | |
| Released | June 1971 |
| Recorded | 1971 |
| Genre | Soundtrack |
| Length | 37 : 28 |
| Label | Stax |
| Earth, Wind & Fire chronology | |
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The chronological progression of Melvin Van Peebles
| Watermelon Man (1970) | Sweet Sweetback’s Baadasssss Song (1971) | Ain’t Supposed To Die A Natural Death (1972) |
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To ensure our continued existence, all we ask for is $2, or anything else you can provide. We beg you, in all modesty, to refrain from scrolling away from this page. If you are one of our very few donors, please accept our sincere gratitude.
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | |
| Billboard | (favourable) |
| The Independent | (favourable) |
The soundtrack of the film directed by Melvin Van Peebles in 1971 and titled Sweet Sweetback’s Baadassss Song is titled Sweet Sweetback’s Baadassss Song. Earth, Wind, and Fire, who were relatively unknown at the time, provided the music for the soundtrack, which was issued by Stax Records in 1971.
What is Sweet Sweetback’s Baadasssss Song?
| Sweet Sweetback’s Baadasssss Song | |
|---|---|
| Theatrical release poster | |
| Directed by | Melvin Van Peebles |
| Written by | Melvin Van Peebles |
| Produced by | Melvin Van PeeblesJerry Gross |
| Starring | Melvin Van Peebles |
| Cinematography | Bob Maxwell |
| Edited by | Melvin Van Peebles |
| Music by | Melvin Van Peebles Earth, Wind & Fire |
| Production companies | Yeah, Inc. |
| Distributed by | Cinemation Industries |
| Release date | March 31, 1971 (Detroit) |
| Running time | 97 minutes |
| Country | United States |
| Language | English |
| Budget | $150,000 |
| Box office | $15.2 million |
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To ensure our continued existence, all we ask for is $2, or anything else you can provide. We beg you, in all modesty, to refrain from scrolling away from this page. If you are one of our very few donors, please accept our sincere gratitude. Melvin Van Peebles wrote, co-produced, scored, edited, directed, and starred in the 1971 American blaxploitation film Sweet Sweetback’s Baadassss Song.
Van Peebles also edited and directed the picture. His son Mario Van Peebles also makes a cameo appearance as a minor character, playing a younger version of the title character. The movie portrays the narrative of a poor black man trying to get away from the white police authorities in a manner that may be described as picaresque.
After receiving an offer of a three-picture deal from Columbia Pictures, Van Peebles started the development process for the film. Van Peebles funded the film himself and shot it independently over the course of 19 days. He performed all of his own stunts and appeared in multiple sex scenes, some of which were supposedly real.
- No studio would finance the film, so Van Peebles funded it himself.
- In order for him to finish the project, Bill Cosby provided him with a loan of $50,000.
- The film was notable for its innovative use of jump cuts and fast-paced montages, both of which were uncommon in American filmmaking at the time.
- The movie was banned from various countries’ theaters, and critics had a range of reactions to it.
On the other hand, it has made an indelible mark on the American film industry. Earth, Wind, and Fire are responsible for the performance of the musical score of Sweet Sweetback’s Baadasssss Song. Because Van Peebles lacked the funds necessary to pay for conventional forms of promotion, he chose to generate exposure for his picture by releasing the soundtrack record in advance of its theatrical run.
- In the beginning, the movie was only shown in a total of two cinemas across the United States (in Atlanta and Detroit).
- It ended up earning a total of $15.2 million at the worldwide box office.
- Sweetback was made obligatory watching for members of the Black Panther Party because it was deemed to have revolutionary undertones.
Huey P. Newton lauded and welcomed the film’s revolutionary potential. According to Variety, it showed Hollywood that movies that portrayed “militant” Blacks could be extremely profitable, which led to the creation of the blaxploitation genre. However, film critic Roger Ebert did not consider this particular example of Van Peebles’ work to be an example of an exploitation film.
How much did Sweet Sweetback’s Baadasssss Song make at the box office?
The picture was initially shown on March 31, 1971 at the Grand Circus Theatre in Detroit, and on April 2, 1971, it was shown at the Coronet Theatre in Atlanta. After some adjustments, the film was re-released. According to what Melvin Van Peebles said, “At originally, the film was only going to be shown in two cinemas in the United States: one in the city of Detroit, and the other in the city of Atlanta.
The very first night it was shown in Detroit, it smashed all of the theater’s records, and this was accomplished just on the basis of the title, since no one had actually seen it at that point. By the second day, most of the audience was taking their meals during the show and watching it three times straight.
It dawned on me that I was at last addressing the people in the room. On its first day of release, Sweet Sweetback’s Baadasssss Song brought in several thousand dollars.” In its first week of operation in Detroit, it brought in a total of $70,000. The movie ultimately made more than $15 million at the box office, which is equivalent to around $90 million in today’s currencies.
After the Motion Picture Association of America gave Sweetback an X rating, which led to the advertising tagline “Rated X by an all-white jury,” and after the Music Hall theater in Boston cut nine minutes out of the film, Van Peebles made the following statement: “White standards shall no longer be imposed on the Black community.
Should the rest of the community submit to your censorship, that is its business.” The sex sequences at the beginning of the film have been edited for the Region 2 DVD version that was produced by BFI Video. The phrase “in order to comply with UK law (the Protection of Children Act 1978),” which can be seen in a notice at the beginning of the DVD, explains that “a number of pictures in the opening sequence of this film have been concealed.”
Is Sweetback’s Badasssss still relevant today?
References –
- ^ Jump up to: a and b “Sweet Sweetback’s Baadasssss Song, Box Office Information.” The Quantification. This page was retrieved on January 11, 2012.
- ^ Campbell, J. (January 29, 2014). “Videodrome: Sweet Sweetback’s Baadasssss Song (1971)”, Aquarium Drunkard, The article was retrieved on September 9, 2016.
- ^ Jutton, Lee (July 25, 2018). “SWEET SWEETBACK’S BAADASSSSS SONG: A Blaxploitation Classic That Remains All Too Relevant Today” (A Blaxploitation Classic That Remains All Too Relevant Today) www.filminquiry.com is the website. This page was retrieved on August 31, 2019.
- Continue reading: a.b.c. Ebert, Roger (June 11, 2004). “A Critical Analysis of Baadasssss!” Chicago Sun-Times, Retrieved on the 13th of August, 2020, from RogerEbert.com.
- ^ Fassel, Preston. Rediscovering Herman Raucher. The 10th of February 2017 Retrieved
- Continue on to: a, b, and c James, Darius (1995). That’s Blaxploitation! : Roots of the Badass ‘Tude was given an X rating by an all-white jury. ISBN 978-0-312-13192-0,
- Jump to: a, b, c, d, e, f, g, and h, and I Van Peebles, Melvin. The Whole Truth: What It Once Was and What It Currently Is! Xenon Entertainment Group released Sweet Sweetback’s Baadassss Song on DVD in 2003. The DVD’s ISBN number is 978-1-57829-750-4.
- ^ Jump up to: a, b The Baadasssss Song by Sweet Sweetback.17 sexual encounters that were reportedly not faked in any way. WhatCulture.
- ^ Jump up to: a b c d e f Van Peebles, Melvin (2004). ” Sweet Sweetback’s Baadasssss Song “, In Kaufman, Alan
- Ortenberg, Neil
- Rosset, Barney (eds.). The Book of the Damned in American Literature and Culture. Pages 286 and 289, ISBN 978-1-56025-550-5, published by Thunder’s Mouth Press.
- Continue reading in: a b Holden, Stephen (July 2, 1995). “FILM VIEW
- Sweet Sweetback’s World Revisited” (Sweet Sweetback’s World Reviewed). The New York Times. This page was retrieved on January 11, 2012.
- Berry, Torriano
- Berry, Venise T. (2001). A Celebration of African-American Talent, Determination, and Creativity Featuring the 50 Most Influential Black Films [50 Most Influential Black Films] ISBN 978-0-8065-2133-6,
- ^ Campbell, Kermit Ernest (2005). “Proclaiming the Effectiveness of the Rap.” Getting our groove on: rhetoric, language, and literacy for the generation raised on hip hop.43 is the page number published by Wayne State University Press. ISBN 978-0-8143-2925-2,
- “Blaxploitation: Funk Goes to the Movies,” written by Dave Thompson and published in 2001 by Backbeat Books, may be found on pages 207 and 208 with the ISBN number 978-0-87930-629-8.
- Variety published an article titled “Cambist ‘Relations’ in Atlanta Tangle
- ‘Cool Print’ Suit” on page 6 on April 7, 1971.
- Jump up to: a b ” ‘Sweetback’ Peak 70G, Det.
- ‘Leaf’ Nice 47G, ‘John’ Strong 75G, ‘Maids’ $3,500″. Jump up to: a b ” ‘Sweetback’ Peak 70G, Det. Page 8 of Variety, dated the 7th of April, 1971.
- ^ Rausch, Andrew J. (2004). Moments That Shaped the Course of Film History Citadel Press.p.187. ISBN 978-0-8065-2592-1,
- Your Place, Stewart (January 5, 2006). “Gave it an X in Front of an All-White Jury” Mute Magazine, Retrieved November 13, 2008,
- ^ “SWEET SWEETBACK’S BAADASSSSS SONG”, AFI CATALOG OF FEATURE FILMS, This page was retrieved on April 3, 2022.
- The Boston Globe, published on May 8, 1971, page 8, had an article titled “Sweet Sweetback’s Baadassss Song.”
- The names George and Nelson (2001). A Look at Post-Soul Black Culture Through the Lens of Buppies, B-boys, Baps, and Bohos Da Capo Press.p.3. ISBN 978-0-306-81027-5,
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- The name is Thomas, Kevin (September 11, 1992). The event, which will begin today at the Directors Guild, will commemorate the man, the artist, and his movies,” as stated in the article titled “American Cinematheque Sets Melvin Van Peebles Tribute.” The Los Angeles Times is being used here. This page was retrieved on January 11, 2012.
- ^ “Sweet Sweetback’s Baadasssss Song”, Rotten Tomatoes, This page was retrieved on March 23, 2022.
- Jump to: a, b, c, or d Guerrero, Ed (1993). “The Beginning of the Age of Blaxploitation.” The African American image in film is examined in “Framing Blackness.” Pages 86–90, published by Temple University Press. ISBN 978-1-56639-126-9,
- ^ Higgins, Steven (2006). Still Moving is an exhibition at the Museum of Modern Art that showcases its film and media collections. The Museum of Modern Art, located in the city of New York, page 254. ISBN 978-0870703263,
- Nicky Baxter wrote an article entitled “In the early 1970s, blaxploitation upended Hollywood clichés,” which may be found here. Please visit www.metroactive.com. This page was retrieved on August 31, 2019.
- Go back one level to: a b Newton, Huey P. (June 19, 1971). The title of this article is “He Won’t Bleed Me: A Revolutionary Analysis of ‘Sweet Sweetback’s Baadassss Song.'” The sixth iteration of the Black Panther.
- ^ Strausbaugh, John (2008). Black Like You examines the use of blackface and whiteface in American popular culture as a form of insult and imitation. ISBN 978-1-58542-593-8, page 256 of the book written by Jeremy P. Tarcher.
- Continue reading in: a b Bennett, Lerone (September 1971). “The Emancipation Orgasm: Sweetback in Wonderland.” [The Emancipation Movement] Ebony, No.26. pp.106–118.
- ^ Lee, Don L. (November 1971). Black World issue number 21, pages 43–48, included an article titled “The Bittersweet of Sweetback
- or, Shake Yo Money Maker.”
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- ^ Massood, Paula J. (January 22, 2003). Welcome to Crooklyn: Spike Lee and the Black Urbanscape is the title of a new book by Spike Lee. The African American urban experience as shown in film is referred to as “Black City Cinema.” ISBN: 978-1-59213-003-0 and published by Temple University Press.
- ^ Reid-Pharr, Robert (2007). Once You Go Black: Choice, Desire, and the African-American Intellectual is a book written by Michael Eric Dyson. page 152 of the NYU Press edition. The page was retrieved on July 26, 2017. Sweet Sweetback’s Baadasssss Song.
- Tomatometer for the worst of the bad! Rotten Tomatoes, This page was retrieved on May 29, 2008.
- Box office receipts and financial results for Baadasssss! (2004) are listed. This week’s Box Office Mojo. This page was retrieved on May 29, 2008.
- The editors of this work are Darby English and Charlotte Barat (2019). Blackness at MoMA, which can be found on page 440 of the Museum of Modern Art’s catalog, is one example. ISBN 9781633450349,