Which Artist Recorded The Soundtrack For Sweet Sweetback’S Baadassss Song?

Which Artist Recorded The Soundtrack For Sweet Sweetback
Related artists include Kool & the Gang, Commodores, Chicago, and Santana. Carlos Santana The Affective States Wilson, Charlie

Was soul Train canceled after only one season?

After only one season, Soul Train was pulled from the air. Which one of the following was NOT one of the characters that George Clinton came up with?

Who sang the original A Change Is Gonna Come?

Sam Cooke, an American singer and composer, is responsible for the song “A Change Is Gonna Come.” It was first included on Cooke’s album titled Ain’t That Good News, which was published by RCA Victor in the middle of February 1964. On December 22, 1964, a significantly altered version of the track was released as a single.

Who wrote Thank You for Being a Friend song?

“Thank You for Being a Friend”
Side label of U.S.7-inch vinyl single
Single by Andrew Gold
from the album All This and Heaven Too
B-side “Still You Linger On”
Released February 1978
Genre Pop rock soft rock
Length 3 : 58 ( Single Edit ) 4:47 (Album Version)
Label Asylum
Songwriter(s) Andrew Gold
Producer(s) Andrew Gold Brock Walsh
Andrew Gold singles chronology


“I’m On My Way” (1978) ” Thank You for Being a Friend ” (1978) ” Never Let Her Slip Away ” (1978)

table> Music video “Thank You For Being A Friend” on YouTube

Andrew Gold and Brock Walsh are responsible for the song “Thank You for Being a Friend,” which they wrote together. This track was originally intended for inclusion on Gold’s third studio album, titled All This and Heaven Too. In 1978, the song made it all the way up to number 25 on the Billboard Hot 100 list.

Who sampled Thank you for letting me be myself?

Maceo & All the King’s Men’s “Thank You for Letting Be Myself Again” has been sampled, covered, and remixed several times on WhoSampled.com.

Who owns Soul Train now?

The “Soul Train” franchise has been purchased by BET Networks from InterMedia Partners and Yucaipa Companies, which are both owned by Ron Burkle. The agreement comprises more than one thousand previously broadcast episodes of the music and dance variety show, which ran from 1971 to 2006.

  1. Since 2009, BET has been broadcasting the Soul Train Awards, and in the past, previous editions of the event have been broadcast on both BET and Centric.
  2. The monetary particulars of the transaction were not made public.
  3. Don Cornelius, the pioneering African-American media entrepreneur who created and hosted “Soul Train,” was in charge of all parts of the franchise and served as its on-air face until 1993.

Cornelius was also the show’s namesake. In 2008, he parted ways with Don Cornelius Productions, and he passed away in the following year. Richard Gay, executive vice president of strategy and operations for BET Networks, stated that the company is “honored to have acquired a brand with such a rich history and unique content that is forever relevant to all segments of our audience.” “BET Networks is honored to have acquired a brand with such a rich history and unique content that is forever relevant to all segments of our audience,” “With a Broadway play and a concert tour as examples of potential in the works, we look forward to finding exciting and sensible ways to build the brand while preserving its tradition and legacy in music, dance, and fashion,” the company said in a statement.

“Soul Train” was a groundbreaking television show that presented black music and culture in the context of a mainstream Saturday morning music showcase. At its height of popularity, the show was seen by a large number of people. In 2014, cultural commentator Nelson George published a book titled “The Hippest Trip in America,” in which he discussed the show’s effect.

In 2014, George told Rolling Stone that black fashion and music were being broadcast into homes every Saturday. “You had this full other world of black style and black music,” he said. “For a lot of folks, this was their first exposure to a wide variety of black life,” the speaker says.

What is it called when a train stops an ambulance?

Dear Sarah, There is a popular urban myth known as the soul train that circulates among first responders. It is not going to be on Google, nor is it going to be in a book anywhere. It’s not something we talk about, much like many of the more sinister things we keep to ourselves while working in EMS or police enforcement.

  • If we brought it up, our friends and family would probably think we were insane, and the majority of people would treat it like a joke.
  • I can promise you that it is unquestionably genuine since all of us have witnessed it.
  • Prior to joining the fire department in my hometown, I had never encountered anything paranormal, therefore I didn’t believe in ghosts or in the existence of an everlasting spirit.

The legend of the soul train describes, in its most basic form, a train that travels through a town and obstructs the flow of traffic whenever an ambulance or rescue vehicle is attempting to respond to a call. Most people think it’s just a coincidence, however the soul train is notorious for holding up emergency medical services during a time-sensitive call, which ultimately led to the patient’s death.

  1. According to the urban legend, a soul train will hold up an ambulance for a person whose spirit was never intended to live.
  2. As soon as the train is no longer visible, it will vanish entirely, taking the patient’s spirit with it.
  3. Sarah, I apologize for keeping you in the dark for so long, but I just can’t bring myself to talk about it in person right now.

After holding this secret from you for more than two months, it is finally time for me to tell you about the time the soul train arrived, not for the patient, but for an emergency medical technician. In July of the previous year, I became a member of the Volunteer Fire Company in the little town where I grew up in Delaware.

Since then, I have also been employed by the department to serve as a part-time EMT for the duty crew, which consists of two paid EMTs who operate around the clock. The majority of full time employees usually work in predetermined pairs, while the rest of us part time employees pick up random shifts in between, including callouts and vacation times for full time employees.

I was able to pull a 36-hour shift with a new full-time employee when the majority of full-time workers were attempting to rack up as many hours as they could in the final weeks of November. A retired Air Force medical technician named Tara Warner had been working at the department for exactly two months less than I had.

She was a bubbly and cheerful young woman who struggled a little bit with alcoholism. She was well-liked by everybody, and she participated in each and every event that we held here at the station. Aside from her partner and her kid, who was 5 years old, fire and emergency medical services were her life.

It was the 27th of November when I arrived, and the time was 0700. The day was uneventful and unremarkable in every way. We tended to our responsibilities, responded to calls, organized some bills, and drove the ambulance to the gas station. After a while of sitting around doing nothing, we decided to start watching The Resident in the workplace.

  1. The sound of raindrops hitting the station’s metal roof drowned out the performance, which was especially distracting considering that it was not supposed to rain that evening.
  2. The distant rumble of thunder was likewise becoming closer and closer in the background.
  3. During storms in our region, it was common for nearby radio stations to start receiving calls for electrical issues and downed lines.

We listened as these calls came in over the radio as they occurred. We were able to keep ourselves occupied and silent for perhaps the next quarter of an hour thanks to the program and the radio up until our pagers went off. “Station, A-, chest pains, clammy, middle aged female, Bravo response, 755 Drive,” the dispatcher said.

  • Because I made a concerted effort to take in as much information as I possibly could from dispatch, I am able to recall every word that was communicated over the radio.
  • I constantly worried that I was going to forget something important.
  • We started moving toward 755 while the lights and sirens were on.

This was not the first time that we had been called to that residence; I was familiar with the address, and I was aware that the patient had a history of cardiovascular troubles. It is approximately fifteen minutes away, directly across the district from the station, and directly across the ancient railroad tracks that have been blocked off to through traffic going into or leaving the county.

  1. The storm was becoming worse, with heavy rain falling and lightning flashing every few seconds across the sky.
  2. We drove cautiously, but with haste, because we were aware that her chest symptoms may very literally mean the difference between life and death, considering the great distance that separates her home from the nearest hospital.

After going through the four-way crossroads down the road from her house, we clacked our way over the rickety old railroad lines, and very immediately after that, we heard a big crash coming from behind the ambulance. It was undeniably not the sound of thunder, but rather the sharp clashing of metal against metal.

When I turned my head to look in the mirror, I was just in time to see a pickup truck push a compact car across the intersection and into the ditch on the other side of it. Tara slammed on the brakes and turned on the floodlights only about fifteen feet over the railroad rails. We exited the truck, and the driver of the car followed us as we dashed to the automobile.

At first sight, the driver of the car appeared to be the only person inside the vehicle, and he or she did not appear to have any severe obvious injuries. Tara instructed me to go grab the airway bag and stretcher while she climbed in through the passenger side of the vehicle because the door on the driver’s side was stuck.

I got to the ambulance as quickly as I could and put the airway bag on the stretcher when I got there. In the heat of the moment, it appears that Tara forgot to take into account the fact that just one of the vehicle’s airbags had deployed and that the passenger compartment was severely damaged. It appears that she kicked the exposed ECU (equipment that controls the auxiliary restraint systems in a vehicle) and disconnected it, which resulted in the instantaneous deployment of all of the airbags in the vehicle.

When I turned around after hearing the explosions, I was barely in time to witness Tara being thrown from the vehicle. The moment a big train came barreling into the station, she vanished from view. Even though I was yelling and my pulse was racing, there was nothing I could do till the train had gone by.

After what felt like an hour of standing in the pouring rain and listening to the clang of steel on steel, the train finally pulled away from the station. I sped off in the direction of Tara, who was lying in the grass in the field that was just across the ditch from the crossing. Her ribs were fractured, and one of them had penetrated the hollow in the middle of her chest.

She had a pneumothorax, also known as a collapsed lung, and as a result of that, in addition to the head injuries, shock, and internal bleeding, she passed away shortly after I arrived. When I looked up towards the railroad, there was no sign of the train anywhere in sight.

  • This portion of the neighborhood consisted primarily of undeveloped land for a couple of miles, with houses and trees sporadically positioned here and there.
  • It had only been about a minute and a half after the train had gone by, yet it was already as if it had vanished into thin air.
  • In spite of the gale and the rain, for a split second it appeared as if I could sense her in the air; a brisk breeze that was icy cold, viscous, and devoid of oxygen; nevertheless, it dissipated just as rapidly as it had been.

As soon as I lost sight of it, I became aware of a distant train horn that I could barely make out, despite the fact that there was no train in sight. The night when the soul train flipped the script is one that I will never, ever forget. I do not know what Tara had done wrong for her life to be taken away from her, or if she had done anything at all wrong.

  • It seems that her time had come to depart on that particular evening, since it is true that everyone has their turn.
  • I am currently employed in EMS, and I intend to remain so for the foreseeable future.
  • You didn’t get it, and I didn’t intend to explain it, but you are aware that I won’t go on the other side of those railway tracks unless I’m working in the ambulance with another emergency medical technician.

You don’t get it, but you know it. This isn’t because of what happened to Tara; rather, it’s because I’ve been hearing the sound of a train horn in the middle of the night for the past week, despite the fact that there isn’t an active railroad within 20 miles.

Who was Bob Dylan’s idol?

Bob Dylan’s birthday is May 24th, 1941, and he was born in Duluth, Minnesota. He spent his formative years in the city of Hibbing. After playing in a number of bands when he was a youngster, his interest in music continued to grow over the years, and he developed a strong affinity for blues and American folk music in particular.

  1. Woody Guthrie, a folk singer, was considered by him to be one of his heroes.
  2. In addition, he was influenced by the pioneering writers of the Beat Generation as well as the modernist poets of the day.
  3. In 1961, Dylan made the move to New York City, where he began his career as a musician by playing in the bars and cafés of Greenwich Village.

He became acquainted with the record producer John Hammond, with whom he eventually entered into a deal for the release of his first album, titled Bob Dylan (1962). In the years that followed, he was responsible for the recording of a number of albums that went on to have a significant influence on contemporary popular music.

  1. These albums include Bringing It All Back Home and Highway 61 Revisited in 1965, Blonde On Blonde in 1966, and Blood On The Tracks in 1975.
  2. The next decades saw a continuation of his prolific output, which resulted in the creation of classics such as Oh Mercy (1989), Time Out of Mind (1997), and Modern Times (2006).

The tours that Bob Dylan did in 1965 and 1966 received a lot of attention from the public. During some of his time on stage, he was accompanied by the filmmaker D.A. Pennebaker, who filmed the goings-on in the backstage area for the film that would later be titled “Don’t Look Back” (1967).

  • Dylan has released a huge number of albums that cover a variety of subjects, including the socioeconomic circumstances of man, religion, politics, and love.
  • Some of these albums may be found here.
  • Beginning in 1973, the lyrics have been constantly published in new versions.
  • Initially released under the title Writings and Drawings, the term was later shortened to Lyrics.

He has worked as an actor, a painter, and a writer during his career as an artist, therefore his versatility as an artist is very remarkable. In addition to the enormous number of albums he has produced, Dylan has also published a number of experimental works, such as the prose poetry collection Tarantula (1971).

Chronicles (2004), his autobiography, recounts experiences from his early years spent in New York and gives glimpses into his life in the heart of popular culture. He has also created a play titled “Chronicles,” which is based on his life. Bob Dylan has maintained an active touring schedule since the late 1980s, during which time he has performed in excess of 3000 gigs.

Dylan is considered to be a cultural icon. His impact on modern society has been significant, and as a result, he has been the subject of a significant amount of critical writing and musical investigation. This autobiography or biography was written during the time the prize was being given, and it was subsequently included in the book series Les Prix Nobel, Nobel Lectures, or The Nobel Prizes.

What type of instrument playing is heard in this excerpt Foggy Mountain Breakdown?

This style is exemplified by the banjo instrumental titled “Foggy Mountain Breakdown,” which was the first song to include the instrument. Sound recording cataloging is one of Brian Bader’s responsibilities at the Library of Congress. He has been listening to bluegrass, blues, and several other forms of classic American music for a very long time.