When Did The Song Love Me Come Out?
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Who sang Love Me Tonight in 1969?
| “Love Me Tonight” | |
|---|---|
| Single by Tom Jones | |
| B-side | “Hide and Seek” |
| Released | May 1969 |
| Genre | Pop |
| Length | 3 : 15 |
| Label | Parrot |
| Songwriter(s) | Lorenzo Pilat, Mario Panzeri, Barry Mason |
| Producer(s) | Peter Sullivan |
| Tom Jones singles chronology | |
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Tom Jones is the artist that gave their rendition of the song “Love Me Tonight,” which was written by Lorenzo Pilat, Mario Panzeri, and Barry Mason. In 1969, it peaked at number two on the adult contemporary chart, number nine on the UK Singles Chart, and number thirteen on the pop chart in the United States.
When did the song I Love you by the Beatles Come Out?
Andy White and the remake of the Martin then decided that because “Love Me Do” was going to be the group’s debut release, it needed to be re-recorded with a different drummer because he was dissatisfied with the drum sound from the 4 September session (Abbey Road’s Ken Townsend also recalls McCartney being dissatisfied with Starr’s timing, probably due to his being under-rehearsed; Starr had joined the group only two weeks before the 4 September session).
Martin Due to the fact that record producers of the period were accustomed to hearing the bass drum “lock in” with the bass guitar rather than the much looser R&B sound that was just beginning to develop, professional show band drummers were frequently utilized for recordings. Ron Richards, who was given responsibility for the re-recording session on September 11 due to George Martin’s absence, contacted Andy White, a musician whom he had worked with in the past.
Starr was really sad to find out that he would not be playing for just his second recording session with the Beatles: Richards reflects on the past “He did nothing but sit there still in the control box next to me in silence. After that, I requested that he play maracas when we were performing “P.S.
I Love You.” Ringo is wonderful and really laid back at all times “. Starr said that on his first visit to the studio in September, the band just performed some demos for George Martin. Even “Please Please Me” was performed by us. This is something that sticks out in my mind because at the time that we were recording it, I was playing the bass drum while simultaneously playing a maraca and a tambourine.
When we returned to the studio a week later to record “Love Me Do,” I believe that this was the reason why George Martin chose to work with Andy White, the “professional.” Even if Pete Best hadn’t been involved, the person would have been booked before.
George was unwilling to take any more risks, and I found myself in the thick of the conflict. The fact that George Martin had his reservations about me was a crushing blow to me. As I approached the bottom of the stairs, I heard someone say, “We’ve got a professional drummer.” Old George has issued several apologies in the years following the incident, but it was still heartbreaking; I harbored resentment toward him for many years, and I don’t forgive him easily! Paul McCartney: “George was successful in getting his way, and Ringo was not allowed to play drums on the first single.
Tambourine was the only instrument he played. My guess is that Ringo never got over what happened. He was required to return to Liverpool, where everyone inquired about how things transpired in the Smoke. We’d tell them, “B-wonderful,” side’s but Ringo wouldn’t let us know that he liked the A-side since he wasn’t on it ” (from Anthology ).
It is unclear whether using a session drummer would have solved the problem, as session engineer Norman Smith was to comment: “It was a real headache trying to get a drum sound, and when you listen to the record now you can hardly hear the drums at all.” “Love Me Do” was recorded with White playing drums and Starr on tambourine, but it is unclear whether using a session drummer would have solved the problem.
The bass drum played by Ringo Starr was masked by a “bottom-light” mix applied to his rendition of the song. The first pressings of the single, which were distributed with a red Parlophone label, were of the version recorded on September 4, omitting the tambourine and including Starr on drums.
- The 11 September re-record has Andy White on drums and Ringo Starr on tambourine.
- This version was used for the Please Please Me album and later pressings of the single, which had a black Parlophone label.
- This distinction has emerged as absolutely necessary for accurately distinguishing the two versions of “Love Me Do.” Ron Richards recalls that the editing sessions that followed all of these different takes were tense, and he shared his thoughts on the matter by saying: “To tell you the truth, by the time it was released, I was already quite sick of it.
I had no expectation that it would have any effect.”