How To Write A Heartbreak Song?
- Philip Martin
How to Compose a Song About Your Broken Heart (A Must Read)
- Determine the underlying feeling you have. You did not necessarily “suffer” from having your heart broken.
- Describe the chain of unfortunate circumstances that led up to the devastating loss. Before you begin to compose the hook, the chorus, the outro, the bridge, or any of the other portions of the song.
- Convert the description into the form of a song. You are able to construct your chorus, bridge, verses, and introduction.
- Put more emphasis on the triggering words.
- Give your song about your broken heart a name.
What makes a breakup song?
A song is considered to be a breakup song if it describes the end of an intimate relationship and the range of feelings that accompany such a split, including grief, frustration, fury, and even acceptance or relief.
How do you describe heart pain?
Our descriptions of sadness, such as “I feel like my heart’s been torn out,” “it was gut wrenching,” and “like a slap in the face,” all allude to the way that we equate physical pain with emotional suffering. For example, “I feel like my heart has been ripped out.”
What makes a song sound sad?
There are several factors that might change the atmosphere of a song, with major and minor corresponding to happy and sad, respectively. Sometimes it’s as easy as the chords that are employed, and other times it’s as difficult as the message that’s being sent in the lyrics.
In general, the music that is produced by major chords and major keys is bright and joyous, whereas the sound that is produced by minor chords and minor keys is gloomy and sorrowful. However, there are times when this is not the case. Major Scale Modes Three of the seven main modes are major, whereas four of the modes are minor.
Ionian, Lydian, and Mixolydian are the three primary modes that can be used. Dorian, Phrygian, Aeolian, and Locrian are the four modes that belong to the minor scale. Ionian and Aeolian are the two modes that are employed the most frequently, and they are also the modes that are referred to as the relative major and relative minor.
- The Ionian mode originates from the first scale degree of the major scale, whereas the Aeolian mode originates from the sixth scale degree.
- Ionian Mode (Major Scale) The Ionian mode is based on major chords and has a tone that is often upbeat and cheerful.
- Ionian mode is represented in a number of well-known songs, including “La Bamba” by Los Lobos, “Wonderful Tonight” by Eric Clapton, and the lyrics to “Cliffs of Dover” by Eric Johnson.
The Ionian mode is frequently referred to as the major scale in its most basic form. Aeolian Mode (Minor Scale) The Aeolian mode is characterized by a gloomy and melancholy tone, as it is based on the minor chord. The songs “Black Magic Woman” by Santana and “The Thrill is Gone” by B.B.
King are both excellent illustrations of the Aeolian mode in music. The natural minor scale is an alternate name for the aeolian mode. The modes of Dorian and Mixolydian The Dorian and Mixolydian modes, which originate from the second and the fifth, are utilized rather frequently. Dorian is regarded as having a tone that is typically described as being dark, warm, and jazzy.
It is based on a minor chord. Dorian mode is utilized in “Moondance” by Van Morrison and the solo passage of “Light My Fire” by The Doors, both of which are excellent musical examples. The mixolydian mode is based on the major chord, however it is slightly different from the standard major scale.
- The flat seventh (b7) interval and the flat seven (bVII) chord are the distinguishing features of this chord.
- Mixolydian mode is demonstrated, for instance, in the songs “Tequila” by The Champs and “Louie, Louie” by The Kingsmen.
- The dominating scale is an alternate name for the mixolydian mode.
- Phrygian, Lydian and Locrian Mode The Phrygian mode is often described as having a Spanish flavor, despite the fact that it is not particularly common.
In songs, Lydian can be heard on occasion but often just for a brief period of time. It is based on a major chord and originates from the fourth degree of the scale. It has an unsteady tone that is highlighted by a sharp fourth (#4) interval and major second (II) chord combination.
This adds an element of suspense. The sound of the Lydian mode may be heard in the verse to “Here Comes My Girl” by Tom Petty and the Heartbreakers and in “Freewill” by Rush. Both of these examples are excellent. The Locrian mode originates from the seventh scale degree, although it is not employed in any way that is meaningful or significant.
Songs of both Joy and Sorrow The mode of a song, which refers to the degree of the major scale that a chord progression focuses on, plays a significant part in creating the atmosphere and feeling of a song, but there are other factors that can also have an effect.
A song may be described as having a “dark” tone, for instance, if the lyrics are unpleasant or if the performance has a significant influence on the listener’s emotions. The song “Born in the USA” by Bruce Springsteen is played in a major key, and the majority of listeners consider it to be an upbeat and patriotic piece of music.
However, the subject matter of the song is actually about the aftermath of the Vietnam War. Accordingly, the “dark” or “light” nature of the music is wholly dependent on the listener’s perspective. Although “With or Without You” by U2 is in a major key, the song’s lyrics, vocals, and extended guitar passages generate such a sense of depth and intensity that many listeners are left with a foreboding sensation as a result of the song.
- C and the Sunshine Band’s songs “Get Down Tonight” and “That’s the Way I Like It” are cheerful and energetic, although they are played in minor keys.
- Go figure.
- Oz Noy, a guitarist, plays in major modes, but he adds a lot of off-key flats and sharps, which results in a sound that is dark, strange, and atonal.
When discussing a song, songwriters and music critics frequently use a great deal of descriptive language that is highly subjective and more closely associated with the emotion and impact of the song as a whole, including the lyrical message, rather than a technical analysis of how a song is composed technically.
Do sad songs help with a breakup?
YOU’LL FEEL BETTER WHEN YOU LISTEN TO SAD MUSIC – A recent study from Freie Universitat Berlin has discovered what all of us gloomy types already knew: listening to sad music helps improve a person’s mood after a breakup. The research including 772 people found that when people who were already feeling low listened to sad music, their brains experienced a sense of cognitive satisfaction from the experience.
These rewards include identifying with the song and empathizing with the singer, as well as enjoying the escape from your thoughts as your mind wanders off to a place where “real-life” implications simply do not exist. Another reward is simply enjoying the escape from your thoughts as your mind wanders off to a place where “real-life” implications simply do not exist.
(It makes sense that listening to “Maps” by Yeah Yeah Yeahs helped me get over so many failed relationships.)
What chords to use for a sad song?
I-i/7-IV/b4-VI And chord progressions that move down in notes, taking our mood with them, make for some of the best melancholy songs; there is something about traveling down in the musical scale that has this effect.