Nikos Kilcher

How To Put Your Song On Spinrilla?

• Philip Martin
• 20.09.2022
• 0
• 59

Apply For An Artist Account On Spinrilla The application process for an artist account on Spinrilla is one of the most straightforward methods. To apply to be an artist for them, all you have to do is go to their application page, fill out the areas that are necessary, and then submit your application.

If you don’t hear anything back from someone, the key is to follow up with them. It is strongly recommended that you follow up with them every few days to acquire an up-to-date progress report on the application process for your artist position. This is the strategy that we utilized, and within a few months we were able to obtain our artist account.

Although this approach is the simplest one, it’s also one of the approaches that doesn’t appear to be as effective as it was in the past. This might be because Spinrilla receives so many artist submissions that they are unable to keep up with demand, or it could be because they limit the amount of new accounts that they authorize in order to maintain the exclusivity of their platform — I don’t know which it is.

How much should I upload to my Mixtapez?

1.) Pay to have your mixtape included on MyMixtapez. This is one of the quickest methods to get your mixtape featured on MyMixtapez, so if that’s something you’re wanting to do, paying to have your mixtape featured on MyMixtapez is one of the things you can do.

• MyMixtapez charges a one-time flat cost, the amount of which is determined by the location on the app where you would want your mixtape or single to be shown.
• It will cost you roughly $4,000 to be featured at the top of MyMixtapez for a period of approximately twenty-four hours.
• At this pricing, you will have the opportunity to be the very first thing a viewer sees when they launch the application.

– It will cost you anything from $500 to $1500, depending on whatever row you pick, for you to be featured in the rows below for a period of twenty-four hours. – It will cost you around $350 for each submission for you to be included in the “Recents” area.

Does Spinrilla pay for streams?

Even though Spinrilla is a relatively new player in the streaming marketplace, it has already attracted the attention of several major record labels, which have initiated legal action against the website on the grounds that it is allegedly providing millions of users with access to unauthorized music.

On behalf of Universal Music Group, Sony Music Entertainment, Warner Bros. Records, Atlantic Recording Corporation, and LaFace Records, the Recording Industry Association of America (RIAA) filed a lawsuit against Spinrilla and its founder Jeffery Dylan Copeland in a federal court in the state of Georgia on Friday.

According to the lawsuit, a number of the artists whose music may be streamed on Spinrilla’s website and mobile application for free are not getting compensated for the usage of their work. These artists include Kendrick Lamar, Kanye West, and Beyonce.

1. The description of the service brings to mind Napster, which was the first company to cause disruptions in the music industry.
2. Through the Spinrilla website and apps, users who have an artist account can upload content that any other user can then download or stream on demand for free, an unlimited number of times,” attorney James Lamberth writes in the complaint.

“Spinrilla does not restrict the number of times a user can download or stream the content they have uploaded.” “Plaintiffs control the copyrights to the popular sound recordings that make up a significant portion of the content that was posted to the Spinrilla website and mobile apps,” the complaint reads.

According to the RIAA, more than 21,000 sound recordings with copyright protection that are held by the plaintiffs and are available through the site have been located. The record companies have filed a lawsuit alleging direct and secondary copyright infringement, and they are looking for an injunction as well as real or statutory damages.

The Recording Industry Association of America (RIAA) issued a statement on the complaint, stating that “Spinrilla specializes in ripping off music producers by distributing thousands of illegal sound recordings for free.” This type of illegal conduct has no place in today’s music economy since fans have access to millions upon millions of songs that are hosted on new platforms and services that pay producers.

A request for comment was sent to Spinrilla, but they did not react right away. It is important to note that the website contains a part that is devoted to the Digital Millennium Copyright Act, and it also contains a model for the submission of takedown requests. According to what the website claims, ” Spinrilla takes copyright infringement very seriously.” “In order to deliver the finest mixtapes and maintain top quality, we do not allow infringed upon works to be placed on our website,” the statement reads.

“Our goal is to provide the best mixtapes possible.”

When did Spinrilla come out?

Illustration by Daniel Zender Here’s a current music quiz: What distinguishes an album from a mixtape is the format in which the music is presented. Confused? You’re not alone. In point of fact, it is far easier to identify the ways in which they are similar.

Both of these things, although having titles that sound more analog than they are, are compilations of an artist’s music and are distributed digitally. The distinction lies in the objectives of the respective artists: Albums are released with the intention of making money, which is why they are supported by the marketing power of a music company.

Mixtapes are created with the intention of generating buzz. They are often free to download, despite the fact that they frequently lack the polished production characteristics that come with a costly recording session. Spinrilla is a mixtape website and app that was launched in 2013 by Dylan Copeland after he dropped out of Georgia State University.

Understanding the success of Spinrilla requires an appreciation for the do-it-yourself nature of mixtapes. Spinrilla is a music app that has quickly risen to the top 10 most downloaded apps in its category. Users may hear or download thousands of mixtapes that have been posted by musicians who are registered with Spinrilla by calling up the app on their mobile devices and accessing the Spinrilla website.

The number of users is not disclosed by the service. The firm generates revenue through the sale of premium memberships as well as through advertising. Spinrilla is not that unlike to traditional terrestrial radio stations in many respects, with the possible exception of the need to subscribe to the service.

Except that five big record firms are not bringing a lawsuit against radio stations in federal court seeking possibly billions of dollars in damages. On February 3, the Recording Industry Association of America (RIAA) filed a lawsuit against Spinrilla on behalf of record labels Universal Music Group, Sony Music, Warner Bros.

Records, Atlantic Records, and the now-defunct LaFace Records, whose catalog is now owned by Sony. The lawsuit was brought against Spinrilla by the record labels. It effectively leveled the accusation that the young company located in Atlanta was hosting music by its artists without the authorization of the labels.

The Recording Industry Association of America (RIAA) asserts that Spinrilla “cheats music artists by providing free access to thousands of illegal sound recordings.” It is fair to have flashbacks to a time fifteen years ago, when file-sharing networks such as Napster and Kazaa contributed to a fifty percent decrease in the income of the recording business.

The major record labels and the Recording Industry Association of America (RIAA) ultimately filed lawsuits against such firms, eventually driving them out of business. Streaming music services such as Spotify and Pandora have sprung from the ashes of these companies.

• In order to avoid violating copyright rules, these services negotiate complicated licensing arrangements with major record labels.
• According to the allegations, some record labels have even bought ownership stakes in the sites as a result of the increasing revenue from legal streaming.
• However, the Spinrilla case brings up a distinct set of concerns.

The record companies assert that they never granted Spinrilla authorization to display the music or album artwork and that they were never compensated for their efforts. According to the complaint, customers don’t need to pay to download Kanye West’s Saint Pablo because they can obtain it for free on Spinrilla.

• Why would they do that? According to evaluations of the app that were mentioned in the complaint, customers were ecstatic about the fact that they could purportedly download “AS MUCH MUSIC AS I WANT!” During this time, the business was selling advertisements and premium memberships to users.
• According to David Lilenfeld, Copeland’s attorney—the company’s CEO declined to be interviewed—the case stems from a misunderstanding of the economic model utilized by the service in question.

According to him, Spinrilla “is a platform, a space for artists to exhibit their own work.” Spinrilla was founded in 2004. Spinrilla is unique among music sharing websites in that it needs musicians who wish to post their work to first apply and then be authorized.

They are portraying this as if it were some sort of Napster-style society where individuals share the music of other people, but in reality, it is not at all like that,” According to Lilenfeld, Spinrilla utilizes a content recognition service—one that was suggested by the record companies, according to the company’s answer to the lawsuit—to catch anything that is copyrighted before it is posted on the website or app.

According to the lawsuit, Spinrilla removed music more than 400 times when artists uploaded unlawful songs to the platform and record companies lodged complaints about it. According to him, it also provided an opportunity to purchase select music from other parties, which drove income for the record labels.

1. In addition, Lilenfeld claims that record labels asked Spinrilla to promote and market their artists’ work before and after the complaint was filed.
2. One example of this is a mixtape named in the lawsuit called Young Thug’s Slime Season 3, which Lilenfeld says labels asked Spinrilla to promote and market.

According to what he is saying, “I would argue the left hand doesn’t know what the right hand is doing.” According to Orlando McGhee, a music consultant and former executive at Warner Bros. Records, who has managed Future in the past, such deals between labels and streaming platforms are not uncommon.

• Before the hip-hop musician from Atlanta attained national popularity, he was the most downloaded artist for a period of three years on LiveMixtapes, which is another site that provides mixtapes.
• According to McGhee, Future’s staff frequently worked together with LiveMixtapes to promote the artist’s work.

According to McGhee, though, the perspective has shifted because a greater number of streaming sites have begun paying royalties and companies have begun making their own mixtapes. According to him, if record labels believe streaming services are breaking copyright, there is “no advantage for the label to wrap their arm around” the streaming services.

• The RIAA and Spinrilla both want the lawsuit to be decided by a jury in their favor.
• The trade group is also seeking damages, which, at a rate of $150,000 per copyright violation, could total in the billions of dollars; alternatively, the organization is seeking any profits Copeland is believed to have made from the copyrighted works.

Spinrilla has suggested in the filings with the court that an agreement to settle may be reached. According to Catherine Moore, who teaches music and technology at the University of Toronto, Spinrilla might operate as a launching pad for up-and-coming bands in exchange for having more flexibility with regard to licensing.

1. Or, similar to Soundcloud, it might sign official agreements to license music that is protected by copyright.
2. The labels also have the option, according to McGhee, to just buy Spinrilla.
3. After all, there are others who support it.
4. He adds that this is the place where all of his daughter’s musical inspiration comes from.

This essay was first published in the June 2017 edition of our publication.

How can I promote my mixtape?

Don’t Rely Solely on Social Media – It’s common knowledge that social media may play a pivotal role in the development of an artist’s brand. Sharing the most recent changes and uploading your most recent track may be done with only the press of a button, allowing you to connect with thousands, if not millions, of prospective fans of your music.

Nevertheless, if your sole method of advertising is posting updates on Facebook and sending tweets, you’re not going to get very far with that plan. If you want to truly make an effect, you need to expand outside the realm of social media. Create your own website, write some intriguing blog entries, distribute press releases to inform people about your mixtape, upload a video to YouTube, do some interviews on the radio or on podcasts, and encourage your street team to spread the word.

If you truly want to get your name out there, you shouldn’t rely on social media as your sole form of advertising. Social media is excellent, but it shouldn’t be your only method of promotion.

Can you put a mixtape on Spotify?

Mixtapes may be sent in to Spotify, but the sending firm would be responsible for first obtaining permission from each individual rights holder involved, and then for providing all of the pertinent rights data. There are collections of dance music available on Spotify. The majority of these have a track that is a continuous mix as their last one.

How do I upload a mixtape to DJ on Audiomack?

Enter your credentials to log in to Audiomack, then navigate to the Upload page. To access your artist page, locate your avatar in the lower right corner of the screen, then click on it. After arriving at that location, you will see a gear over your avatar; to access the upload landing page, click on the gear, and then pick “Upload.” Choose the type of material you want to upload from the drop-down menu (Song, Album, or Podcast), then browse through your files.